Hand-built Archival Framing
Each Tappan frame is custom built out of solid wood, using archival materials. Our framers have years of experience framing and preserving artworks for museums and other cultural institutions.
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Ancient Medicine 35
Archival ink on museum-quality cotton rag paper
Following news of his father’s death in July 2016, Merriam spent a year searching for places to observe and photograph unique geology, the cycles of sedimentation and erosion, glaciation and volcanism.
Descending into an ‘ancient world’ allowed him to find the peace necessary to rebuild a life in the present.
In the Ancient Medicine photographs, the horizon is purposefully disregarded to give a feeling of immersion in the geology, asking the viewer to consider the slow tick of eons that have led to these compositions. Likening the process to painting with time, objects and landscapes of monumental size take on an ambiguous scale.
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Following news of his father’s death in July 2016, Merriam spent a year searching for places to observe and photograph unique geology, the cycles of sedimentation and erosion, glaciation and volcanism.
Descending into an ‘ancient world’ allowed him to find the peace necessary to rebuild a life in the present.
In the Ancient Medicine photographs, the horizon is purposefully disregarded to give a feeling of immersion in the geology, asking the viewer to consider the slow tick of eons that have led to these compositions. Likening the process to painting with time, objects and landscapes of monumental size take on an ambiguous scale.
Artwork Information
Year
2020
Materials
Archival ink on museum-quality cotton rag paper
Authentication
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
12 x 18 inches
16 x 24 inches
30 x 45 inches
40 x 60 inches
FRAMED DIMENSIONS
12 x 18 inches:
Matted: 19.5 x 25.5 x 1.25 inches
Full Bleed: 13.5 x 19.5 x 1.25 inches
16 x 24 inches:
Matted: 23.5 x 31.5 x 1.25 inches
Full Bleed: 17.5 x 25.5 x 1.25 inches inches
30 x 45 inches:
Matted: 38 x 53 x 2 inches
Full Bleed: 32 x 47 x 2 inches
40 x 60 inches:
Full Bleed: 42 x 62 x 2 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
Limited Edition Prints and Photography are custom trimmed with border for framing 2" for all larger sizes.
All sizes listed are overall paper dimensions including the white border.
Custom Orders
We offer a wide variety of custom framing options, please reach out for more information.
Shipping times vary per artwork, text, email, or chat with us to expedite shipping.
text: 310-388-3425
email: [email protected]
Art Advising Services
Complimentary art advising services available on request. More info here
"I stepped out of the present and let my mind succumb to geologic time. I found comfort in it’s endless cycles."
About the Artist
Brian Merriam
Featured in Vogue, Dwell, Juxtapoz, Domino, Artforum, and The New Yorker, photographer Brian Merriam travels to the most remote parts of the world to capture rarely seen landscapes and celestial phenomena, including the Himalayas, the Aurora Borealis, lush Hawaiian jungles and total solar eclipses.
Choose options
This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Following news of his father’s death in July 2016, Merriam spent a year searching for places to observe and photograph unique geology, the cycles of sedimentation and erosion, glaciation and volcanism.
Descending into an ‘ancient world’ allowed him to find the peace necessary to rebuild a life in the present.
In the Ancient Medicine photographs, the horizon is purposefully disregarded to give a feeling of immersion in the geology, asking the viewer to consider the slow tick of eons that have led to these compositions. Likening the process to painting with time, objects and landscapes of monumental size take on an ambiguous scale.