



bas relief no. 7
Reliefs carved from reclaimed wood board and hand-painted with a natural plaster pigment (limewash)
Luis-Ignacio Figallo’s Traces, Erosions series pushes the boundary between painting and sculpture, inviting viewers into a quiet topography where light, material, and time converge. Rooted in the artist’s observation of natural and urban erosion patterns, these works emerge from carved wood panels that function like bas-reliefs—offering dimensionality while remaining tethered to the wall.
The use of limewash paint, applied in carefully built-up layers, enhances the sense of surface and subtlety. Softly reflective, the finish responds to ambient light, drawing attention to the work’s shifts in texture and depth. Muted tones amplify the effect, creating a meditative space where the viewer is prompted to slow down, to trace the quiet tectonics of material and memory. Figallo’s works are at once elemental and intentional—sculptural forms that breathe like paintings.
This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

Luis-Ignacio Figallo’s Traces, Erosions series pushes the boundary between painting and sculpture, inviting viewers into a quiet topography where light, material, and time converge. Rooted in the artist’s observation of natural and urban erosion patterns, these works emerge from carved wood panels that function like bas-reliefs—offering dimensionality while remaining tethered to the wall.
The use of limewash paint, applied in carefully built-up layers, enhances the sense of surface and subtlety. Softly reflective, the finish responds to ambient light, drawing attention to the work’s shifts in texture and depth. Muted tones amplify the effect, creating a meditative space where the viewer is prompted to slow down, to trace the quiet tectonics of material and memory. Figallo’s works are at once elemental and intentional—sculptural forms that breathe like paintings.
FEW LEFT
Artwork Information
Year
2022
Materials
Reliefs carved from reclaimed wood board and hand-painted with a natural plaster pigment (limewash)
Authentication
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
60 x 36 inches
56 x 33 3/5 inches
FRAMED DIMENSIONS
60 x 36 inches
56 x 33 3/5 inches
Custom Orders
We offer a wide variety of custom framing options, please reach out for more information.
Shipping times vary per artwork, text, email, or chat with us to expedite shipping.
text: 310-388-3425
email: [email protected]
Art Advising Services
Complimentary art advising services available on request. More info here
“In using muted tones throughout the series, I aim to encourage a peaceful response in the viewer, channeling qualities of transience, tranquility, and impermanence.”

About the Artist
Luis Ignacio Figallo
Sculptor Luis Ignacio Figallo's background in architecture informs his exploration of how sculptures interact with and reference the environments in which they're placed. Born out of Figallo's lifelong interest in form, texture, and light, Figallo's wall sculptures focus on craftsmanship and subtle shifts in depth. Each bas-relief is individually designed, carved, and painted by hand. The resulting works are elemental searches into composition, form, and depth, producing abstract landscapes that radiate and flow with the reflection of light.

Choose options




This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

Luis-Ignacio Figallo’s Traces, Erosions series pushes the boundary between painting and sculpture, inviting viewers into a quiet topography where light, material, and time converge. Rooted in the artist’s observation of natural and urban erosion patterns, these works emerge from carved wood panels that function like bas-reliefs—offering dimensionality while remaining tethered to the wall.
The use of limewash paint, applied in carefully built-up layers, enhances the sense of surface and subtlety. Softly reflective, the finish responds to ambient light, drawing attention to the work’s shifts in texture and depth. Muted tones amplify the effect, creating a meditative space where the viewer is prompted to slow down, to trace the quiet tectonics of material and memory. Figallo’s works are at once elemental and intentional—sculptural forms that breathe like paintings.
FEW LEFT