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Caught in Time
Avocado, sunlight, dye, ink, photogravure, blind emboss on paper. Custom archival matte. UV plexi.
Cheryl Humphreys’ latest collage works embrace spontaneity, weaving together fragments of her artistic past into something wholly new. Inspired by Eileen Agar: Angel of Anarchy, Humphreys leans into Agar’s idea of “the fertile intervention of chance,” stepping away from her typically meticulous process to allow instinct and intuition to take the lead. Each piece is built from an archive of experiments, dye studies, and color tests collected over years and across geographies—where a sun print made in Oaxaca in 2020 might find itself alongside a natural dye study from 2016. These works are moments of serendipity, compositions that unfold in real time, offering a layered meditation on time, memory, and material.
In Humphreys' words:
"Agar called collage 'the mother of mobility', and defined it as 'a form of inspired correction, a displacement of the banal by the fertile intervention of chance or coincidence'. She attached great importance to the instinctual response and the ready collusion of previously unconnected images."
"Collage was for sounding new resonances, for bringing out unexpected or hidden connections, in effect, for demonstrating the complexity of the world through wit and surprise."
Two quotes from “Eileen Agar: Angel of Anarchy”
This book currently sits on my nightstand. Eileen Agar is an artist I come back to time and again for her insights around assemblage and collage. “The fertile intervention of chance” is so enticing for someone like me who is so planned with my approach to making. These assemblages are a break from this. They allow me to reach into my vast archive of experiments, dye studies and color tests and let my instincts find moments of harmony.
Although all of these works were assembled in 2024, the pieces they were made with span years and even countries… A sun print made in Oaxaca in 2020 sits next to a natural dye experiment from 2016.
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Cheryl Humphreys’ latest collage works embrace spontaneity, weaving together fragments of her artistic past into something wholly new. Inspired by Eileen Agar: Angel of Anarchy, Humphreys leans into Agar’s idea of “the fertile intervention of chance,” stepping away from her typically meticulous process to allow instinct and intuition to take the lead. Each piece is built from an archive of experiments, dye studies, and color tests collected over years and across geographies—where a sun print made in Oaxaca in 2020 might find itself alongside a natural dye study from 2016. These works are moments of serendipity, compositions that unfold in real time, offering a layered meditation on time, memory, and material.
In Humphreys' words:
"Agar called collage 'the mother of mobility', and defined it as 'a form of inspired correction, a displacement of the banal by the fertile intervention of chance or coincidence'. She attached great importance to the instinctual response and the ready collusion of previously unconnected images."
"Collage was for sounding new resonances, for bringing out unexpected or hidden connections, in effect, for demonstrating the complexity of the world through wit and surprise."
Two quotes from “Eileen Agar: Angel of Anarchy”
This book currently sits on my nightstand. Eileen Agar is an artist I come back to time and again for her insights around assemblage and collage. “The fertile intervention of chance” is so enticing for someone like me who is so planned with my approach to making. These assemblages are a break from this. They allow me to reach into my vast archive of experiments, dye studies and color tests and let my instincts find moments of harmony.
Although all of these works were assembled in 2024, the pieces they were made with span years and even countries… A sun print made in Oaxaca in 2020 sits next to a natural dye experiment from 2016.
Artwork Information
Year
2024
Materials
Avocado, sunlight, dye, ink, photogravure, blind emboss on paper. Custom archival matte. UV plexi.
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
16 1/2 x 12 inches
FRAMED DIMENSIONS
16 1/2 x 12 inches
Floated: 21 x 16 1/2 x 1 1/2 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
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“Through her continued impulse to examine and ritualize repetitive domestic work, she transforms an act of service into a suspended moment of beauty.”

About the Artist
Cheryl Humphreys
Cheryl Humphreys' meticulously crafted, hand-pulled prints have been featured in The Long Beach Museum of Art (Long Beach, CA), Vogue, MyDomaine & Artnet.com. Residencies include Pocoapoco Residency, Otra Vox and MacArthur Place.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

Cheryl Humphreys’ latest collage works embrace spontaneity, weaving together fragments of her artistic past into something wholly new. Inspired by Eileen Agar: Angel of Anarchy, Humphreys leans into Agar’s idea of “the fertile intervention of chance,” stepping away from her typically meticulous process to allow instinct and intuition to take the lead. Each piece is built from an archive of experiments, dye studies, and color tests collected over years and across geographies—where a sun print made in Oaxaca in 2020 might find itself alongside a natural dye study from 2016. These works are moments of serendipity, compositions that unfold in real time, offering a layered meditation on time, memory, and material.
In Humphreys' words:
"Agar called collage 'the mother of mobility', and defined it as 'a form of inspired correction, a displacement of the banal by the fertile intervention of chance or coincidence'. She attached great importance to the instinctual response and the ready collusion of previously unconnected images."
"Collage was for sounding new resonances, for bringing out unexpected or hidden connections, in effect, for demonstrating the complexity of the world through wit and surprise."
Two quotes from “Eileen Agar: Angel of Anarchy”
This book currently sits on my nightstand. Eileen Agar is an artist I come back to time and again for her insights around assemblage and collage. “The fertile intervention of chance” is so enticing for someone like me who is so planned with my approach to making. These assemblages are a break from this. They allow me to reach into my vast archive of experiments, dye studies and color tests and let my instincts find moments of harmony.
Although all of these works were assembled in 2024, the pieces they were made with span years and even countries… A sun print made in Oaxaca in 2020 sits next to a natural dye experiment from 2016.