Hand-built Archival Framing
Each Tappan frame is custom built out of solid wood, using archival materials. Our framers have years of experience framing and preserving artworks for museums and other cultural institutions.
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Cliff
Acrylic paint, soft pastel, thread and found fabric
Fanny Allié’s mixed media and textile-based works are influenced and directed by refuse: the lost and overlooked elements of daily life that give insight into the human experience and the precarious and intertwined narratives that link us to each other in our daily life. Acting as a modern-day scavenger of her own refuse and that of others, Allié explores the connection between these rejected objects and the body that engaged with it, considering humans’ relationship to the world around us through our abandoned materials, while shedding light on the environmental and societal consequences of our throw-away culture.
Through her work, Allié finds narratives and connections from the remnants and discarded objects of daily life. Giving voice to the human experiences and traces embedded within these materials, she elevates them as relics of ephemerality, memory, passage and loss. These interwoven stories are born from deeply personal and broadly collective experiences, shared mythologies anchored in an urban environment. She repurposes the materials and objects that humans no longer want in order to create various characters that bear the traces of the world we live in, taking inspiration from her surroundings but also from dance and theater. The internal, emotional landscapes that she creates are a study of the spaces we inhabit daily, starting with the body, the first place that contains us.
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Fanny Allié’s mixed media and textile-based works are influenced and directed by refuse: the lost and overlooked elements of daily life that give insight into the human experience and the precarious and intertwined narratives that link us to each other in our daily life. Acting as a modern-day scavenger of her own refuse and that of others, Allié explores the connection between these rejected objects and the body that engaged with it, considering humans’ relationship to the world around us through our abandoned materials, while shedding light on the environmental and societal consequences of our throw-away culture.
Through her work, Allié finds narratives and connections from the remnants and discarded objects of daily life. Giving voice to the human experiences and traces embedded within these materials, she elevates them as relics of ephemerality, memory, passage and loss. These interwoven stories are born from deeply personal and broadly collective experiences, shared mythologies anchored in an urban environment. She repurposes the materials and objects that humans no longer want in order to create various characters that bear the traces of the world we live in, taking inspiration from her surroundings but also from dance and theater. The internal, emotional landscapes that she creates are a study of the spaces we inhabit daily, starting with the body, the first place that contains us.
Artwork Information
Year
2024
Materials
Acrylic paint, soft pastel, thread and found fabric
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
21 x 16 inches
FRAMED DIMENSIONS
21 x 16 inches
Floated: 25 1/2 x 20 1/2 x 2 inches
Unframed: 21 x 16 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
Custom Orders
We offer a wide variety of custom framing options, please reach out for more information.
Shipping times vary per artwork, text, email, or chat with us to expedite shipping.
text: 310-388-3425
email: [email protected]
Art Advising Services
Complimentary art advising services available on request. More info here
“Through my work, I reflect on human connections and feelings related to memory, passage, loss, the discarded, ephemerality and the delicate and precarious narrative that links us to each other”
About the Artist
Fanny Allié
Featured in Hyperallergic, New York Times, New York Magazine, Fanny Allié's mixed-media works incorporate sewing, texture, drawing and painting. Her work considers the human body from the lens of gesture and investigates how bodily forms operate when fragmented.
Choose options
This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Fanny Allié’s mixed media and textile-based works are influenced and directed by refuse: the lost and overlooked elements of daily life that give insight into the human experience and the precarious and intertwined narratives that link us to each other in our daily life. Acting as a modern-day scavenger of her own refuse and that of others, Allié explores the connection between these rejected objects and the body that engaged with it, considering humans’ relationship to the world around us through our abandoned materials, while shedding light on the environmental and societal consequences of our throw-away culture.
Through her work, Allié finds narratives and connections from the remnants and discarded objects of daily life. Giving voice to the human experiences and traces embedded within these materials, she elevates them as relics of ephemerality, memory, passage and loss. These interwoven stories are born from deeply personal and broadly collective experiences, shared mythologies anchored in an urban environment. She repurposes the materials and objects that humans no longer want in order to create various characters that bear the traces of the world we live in, taking inspiration from her surroundings but also from dance and theater. The internal, emotional landscapes that she creates are a study of the spaces we inhabit daily, starting with the body, the first place that contains us.