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Coiled Black Porcelain Medium Bowl
Porcelain
Philip Soucy’s hand-built sculptures are an intimate dialogue between artist and material, each piece formed through the meditative process of coil building. Soucy’s method involves layering thin coils of clay, a practice that mirrors the rhythms of time and the accumulation of experience. “Once the layering of coils begins,” Soucy reflects, “the dance begins.” This tactile choreography reveals an ineffable connection between maker and medium, as touch imprints intention and collaboration into the work.
The resulting sculptures blend elements of landscape and object, recalling natural formations like hillsides, mountain facades, and layers of sediment. Their shapes feel both organic and intentional, reflecting the balance between Soucy’s careful process and the clay’s natural behavior. By working with the material’s tendencies, Soucy creates pieces that feel rooted in time, encouraging viewers to consider the connection between human experience and the natural world.
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Philip Soucy’s hand-built sculptures are an intimate dialogue between artist and material, each piece formed through the meditative process of coil building. Soucy’s method involves layering thin coils of clay, a practice that mirrors the rhythms of time and the accumulation of experience. “Once the layering of coils begins,” Soucy reflects, “the dance begins.” This tactile choreography reveals an ineffable connection between maker and medium, as touch imprints intention and collaboration into the work.
The resulting sculptures blend elements of landscape and object, recalling natural formations like hillsides, mountain facades, and layers of sediment. Their shapes feel both organic and intentional, reflecting the balance between Soucy’s careful process and the clay’s natural behavior. By working with the material’s tendencies, Soucy creates pieces that feel rooted in time, encouraging viewers to consider the connection between human experience and the natural world.
Artwork Information
Year
2024
Materials
Porcelain
Authentication
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
7 x 13 x 12 inches
FRAMED DIMENSIONS
7 x 13 x 12 inches
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“The forms which emerge from the stacked coils speak of landscape, hillsides or mountain facades, but largely evoking the layers of sediment which occurred throughout the eons of creation.”
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About the Artist
Philip Soucy
Philip Soucy has exhibited at The Clayarch Gimhae Museum (South Korea) and Cranbrook Art Museum and has been featured in publications such as Artforum. His work explores the accumulation of experiences, how repetition and layering can produce new forms through the process of making.
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
This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Philip Soucy’s hand-built sculptures are an intimate dialogue between artist and material, each piece formed through the meditative process of coil building. Soucy’s method involves layering thin coils of clay, a practice that mirrors the rhythms of time and the accumulation of experience. “Once the layering of coils begins,” Soucy reflects, “the dance begins.” This tactile choreography reveals an ineffable connection between maker and medium, as touch imprints intention and collaboration into the work.
The resulting sculptures blend elements of landscape and object, recalling natural formations like hillsides, mountain facades, and layers of sediment. Their shapes feel both organic and intentional, reflecting the balance between Soucy’s careful process and the clay’s natural behavior. By working with the material’s tendencies, Soucy creates pieces that feel rooted in time, encouraging viewers to consider the connection between human experience and the natural world.