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dying for a while (film still XXIV)
Acrylic on linen, pine and brass brad frame
London-based artist Ethan Caflisch has established a certain level of comfort in continuing his well known textile series. However, with that comfort of knowing what mistakes to avoid, comes the urge to expand - to start a new piece and intentionally creating chaos in order to fix it. To find it's subtle and carefully thought-out alchemy. No matter how comfortable you are with a process, a composition or a skill, the discovery of something new is always the most fulfilling.
The series can be described in the artists own words: ‘a revisitation to a place i know and have shaped but isn’t how i left it. the punctures from top to bottom bond and hide. the initial carelessness from sprinting is what now requires surgery. there is still a view through the glass, or maybe it’s open, who knows anymore. the horizontal rarely changes at a distance, it’s the vertical that disrupts; although the force applied to ‘make it work’ messes with that line a bit.
the things that keep me going now are the importance of the material, and saving it, preserving it, presenting it’
In dying for a while, Caflisch uses his signature abstract style to slowly reveal the meaning behind the eponymous unrealized film. Containing dark or potentially confrontational themes, the acrylic paintings in the figurative series convey Caflisch’s interest in the transition between seriousness and acting, encouraging the viewer to consider each painted silhouette’s motive as they move across color-block backgrounds.
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London-based artist Ethan Caflisch has established a certain level of comfort in continuing his well known textile series. However, with that comfort of knowing what mistakes to avoid, comes the urge to expand - to start a new piece and intentionally creating chaos in order to fix it. To find it's subtle and carefully thought-out alchemy. No matter how comfortable you are with a process, a composition or a skill, the discovery of something new is always the most fulfilling.
The series can be described in the artists own words: ‘a revisitation to a place i know and have shaped but isn’t how i left it. the punctures from top to bottom bond and hide. the initial carelessness from sprinting is what now requires surgery. there is still a view through the glass, or maybe it’s open, who knows anymore. the horizontal rarely changes at a distance, it’s the vertical that disrupts; although the force applied to ‘make it work’ messes with that line a bit.
the things that keep me going now are the importance of the material, and saving it, preserving it, presenting it’
In dying for a while, Caflisch uses his signature abstract style to slowly reveal the meaning behind the eponymous unrealized film. Containing dark or potentially confrontational themes, the acrylic paintings in the figurative series convey Caflisch’s interest in the transition between seriousness and acting, encouraging the viewer to consider each painted silhouette’s motive as they move across color-block backgrounds.
Artwork Information
Year
2023
Materials
Acrylic on linen, pine and brass brad frame
Authentication
Signed by artist.
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
12.5 x 16.5 inches
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text: 310-388-3425
email: [email protected]
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“...still constantly remind myself of H.D. Thoreau’s quote “rather than love, than money, than fame; give me truth.” I think this is a crucial mentality to have as an artist, and any other profession; that success, by any definition, will be found in making honest work.”
![Ethan Caflisch](http://www.tappancollective.com/cdn/shop/collections/ethancaflisch-4_600x600.jpg?v=1717610509)
About the Artist
Ethan Caflisch
Ethan’s exhibition venues and publications include the Institute of Contemporary Art (San Jose), Cheryl Hazan Gallery (New York), A.M. Gallery (Antwerp), Art Maze Magazine, and AnOther Magazine. Explore his large, geometric and minimalist paintings, figurative paintings and hand made textile works.
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![Textile by Ethan Caflisch](http://www.tappancollective.com/cdn/shop/files/dying-for-a-while-_film-still-XXIV__12_5x16_5_Primary-1.jpg?v=1718236886&width=1000)
![Textile by Ethan Caflisch](http://www.tappancollective.com/cdn/shop/files/dying-for-a-while-_film-still-XXIV__12_5x16_5_Product.jpg?v=1718236891&width=1000)
![Textile by Ethan Caflisch](http://www.tappancollective.com/cdn/shop/files/dying-for-a-while-_film-still-XXIV__12_5x16_5_Crop-1.jpg?v=1718236895&width=1000)
![Textile by Ethan Caflisch](http://www.tappancollective.com/cdn/shop/files/dying-for-a-while-_film-still-XXIV__12_5x16_5_Crop-2.jpg?v=1718236901&width=1000)
This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
London-based artist Ethan Caflisch has established a certain level of comfort in continuing his well known textile series. However, with that comfort of knowing what mistakes to avoid, comes the urge to expand - to start a new piece and intentionally creating chaos in order to fix it. To find it's subtle and carefully thought-out alchemy. No matter how comfortable you are with a process, a composition or a skill, the discovery of something new is always the most fulfilling.
The series can be described in the artists own words: ‘a revisitation to a place i know and have shaped but isn’t how i left it. the punctures from top to bottom bond and hide. the initial carelessness from sprinting is what now requires surgery. there is still a view through the glass, or maybe it’s open, who knows anymore. the horizontal rarely changes at a distance, it’s the vertical that disrupts; although the force applied to ‘make it work’ messes with that line a bit.
the things that keep me going now are the importance of the material, and saving it, preserving it, presenting it’
In dying for a while, Caflisch uses his signature abstract style to slowly reveal the meaning behind the eponymous unrealized film. Containing dark or potentially confrontational themes, the acrylic paintings in the figurative series convey Caflisch’s interest in the transition between seriousness and acting, encouraging the viewer to consider each painted silhouette’s motive as they move across color-block backgrounds.
![Ethan Caflisch](http://www.tappancollective.com/cdn/shop/files/eva-chen-square.png?v=1694473594&width=600)
![](http://www.tappancollective.com/cdn/shop/files/eva-chen-ethan-cflisch.png?v=1694473608&width=1000)
EVA CHEN ON ETHAN CAFLISCH
“...WE WERE REALLY LOOKING FOR PIECES THAT SPOKE TO US AND MADE US PAUSE FOR A MOMENT TO ABSORB, APPRECIATE, AND REFLECT. CAFLISCH'S ART ABSOLUTELY HAD THAT EFFECT ON US.”