Eraser
Cement dust, pigments, cotton
The new series from artist Viktor Kobylianski, ‘BLUR, SLUR’, brings together a collection of slightly textured works made of cement dust and pigments on raw canvas. In each painting, its own moment of ephemerality is reflected—depicting seen objects and exploring themes of inaccuracy and incompleteness with sometimes saturated but mostly burnt and faded colors.
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The new series from artist Viktor Kobylianski, ‘BLUR, SLUR’, brings together a collection of slightly textured works made of cement dust and pigments on raw canvas. In each painting, its own moment of ephemerality is reflected—depicting seen objects and exploring themes of inaccuracy and incompleteness with sometimes saturated but mostly burnt and faded colors.
Artwork Information
Year
2023
Materials
Cement dust, pigments, cotton
Authentication
Signed by artist.
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
30 x 24 inches
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email: [email protected]
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“Through my intuitive approach and by combining materials with pigments on fabric, each potential artwork is in search of freedom during the process of curing before its true form is revealed.”
About the Artist
Viktor Kobylianski
Viktor Kobylianski is a visual artist living and working in Portland, Oregon. Born in Kyiv, Ukraine, Kobylianski immigrated to the US in 2014 and, until recently, lived in Los Angeles. He has been exhibited in public and private exhibitions in New York, Los Angeles, Portland, Seattle, the UK, and Germany.
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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
The new series from artist Viktor Kobylianski, ‘BLUR, SLUR’, brings together a collection of slightly textured works made of cement dust and pigments on raw canvas. In each painting, its own moment of ephemerality is reflected—depicting seen objects and exploring themes of inaccuracy and incompleteness with sometimes saturated but mostly burnt and faded colors.