Hand-built Archival Framing
Each Tappan frame is custom built out of solid wood, using archival materials. Our framers have years of experience framing and preserving artworks for museums and other cultural institutions.
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Eye Wish
Archival ink on museum-quality cotton rag paper
This set of prints from Laura Burke has many things in common. The works in Tabletop are all intentionally chaotic compositions, filled to the brim with imaginary fruit and flowers — and the element that tethers each piece to reality is a table. For Summer, she pictured a bird’s eye view over a table of freshly cut flowers, a small majolica dish, and various fruit awaiting organization. She imagined Veritable Picnic as the most aesthetically pleasing mess she could manage, the table to the left has a Pierre Bonnard inspired tablecloth, casting a shadow onto the elements of the meal below. This series continues with themes from Burke’s other work, pointing to memory and the mixing of outdoor and indoor spaces. She considers the table as a structural element to keep the viewer attached to the real world. It’s familiar, and even though it’s somewhat hidden in Eye Wish and Early Lunch, you can still spot it.
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This set of prints from Laura Burke has many things in common. The works in Tabletop are all intentionally chaotic compositions, filled to the brim with imaginary fruit and flowers — and the element that tethers each piece to reality is a table. For Summer, she pictured a bird’s eye view over a table of freshly cut flowers, a small majolica dish, and various fruit awaiting organization. She imagined Veritable Picnic as the most aesthetically pleasing mess she could manage, the table to the left has a Pierre Bonnard inspired tablecloth, casting a shadow onto the elements of the meal below. This series continues with themes from Burke’s other work, pointing to memory and the mixing of outdoor and indoor spaces. She considers the table as a structural element to keep the viewer attached to the real world. It’s familiar, and even though it’s somewhat hidden in Eye Wish and Early Lunch, you can still spot it.
FEW LEFT
Artwork Information
Year
2022
Materials
Archival ink on museum-quality cotton rag paper
Authentication
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
16 x 12 inches
35 x 27 inches
56 x 43 inches
FRAMED DIMENSIONS
16 x 12 inches:
Matted: 23.5 x 19.5 x 2 inches
Full Bleed: 17.5 x 13.5 x 1.5 inches
35 x 27 inches:
Matted: 43 x 35 x 2 inches
Full Bleed: 37 x 29 x 2 inches
56 x 43 inches:
Full Bleed: 58 x 45 x 2 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
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We offer a wide variety of custom framing options, please reach out for more information.
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text: 310-388-3425
email: [email protected]
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“I view the objects I draw as characters in a scene that the viewer is seeing by accident. They’re lovers and friends, playing out intimate moments that I hope can be related to.”
About the Artist
Laura Burke
Laura Burke's work has been featured at the Oregon Museum of Arts & Crafts, in Harper's Bazaar, It's Nice That, and Booooom, among others. Her work explores the significance of memory in relation to what is still around us.
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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
This set of prints from Laura Burke has many things in common. The works in Tabletop are all intentionally chaotic compositions, filled to the brim with imaginary fruit and flowers — and the element that tethers each piece to reality is a table. For Summer, she pictured a bird’s eye view over a table of freshly cut flowers, a small majolica dish, and various fruit awaiting organization. She imagined Veritable Picnic as the most aesthetically pleasing mess she could manage, the table to the left has a Pierre Bonnard inspired tablecloth, casting a shadow onto the elements of the meal below. This series continues with themes from Burke’s other work, pointing to memory and the mixing of outdoor and indoor spaces. She considers the table as a structural element to keep the viewer attached to the real world. It’s familiar, and even though it’s somewhat hidden in Eye Wish and Early Lunch, you can still spot it.
FEW LEFT