








Modern Relics - Epanouie #3
Porcelain
Stacy Solodkin’s work is a balance of strength and delicacy, expressed through sculptural forms that feel both ancient and alive. Hand-built using raw clay bodies mixed with cotton linter fiber, each piece carries the imprint of time—creases, folds, and voids left behind as the fiber burns away during firing. These physical absences become poetic presences, holding space for memory, transformation, and impermanence. Her work is a meditative study in texture and gesture.
Organic and gestural, the sculptures evoke unearthed artifacts or ceremonial objects, as if pulled from an archeological dig of the psyche. Rooted in process and instinct, her practice rejects perfection in favor of authenticity, revealing a quiet resilience in every crack and curve. Solodkin’s work is not static—it is a vessel of emotional and material history, holding stories written in earth, fire, and the artist’s hand.
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Stacy Solodkin’s work is a balance of strength and delicacy, expressed through sculptural forms that feel both ancient and alive. Hand-built using raw clay bodies mixed with cotton linter fiber, each piece carries the imprint of time—creases, folds, and voids left behind as the fiber burns away during firing. These physical absences become poetic presences, holding space for memory, transformation, and impermanence. Her work is a meditative study in texture and gesture.
Organic and gestural, the sculptures evoke unearthed artifacts or ceremonial objects, as if pulled from an archeological dig of the psyche. Rooted in process and instinct, her practice rejects perfection in favor of authenticity, revealing a quiet resilience in every crack and curve. Solodkin’s work is not static—it is a vessel of emotional and material history, holding stories written in earth, fire, and the artist’s hand.
Artwork Information
Porcelain
Authentication
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
14 x 16 x 14 inches
FRAMED DIMENSIONS
14 x 16 x 14 inches
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text: 310-388-3425
email: [email protected]
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About the Artist
Stacy Solodkin
Featured at Wallpaper at the Hong Kong Museum of Art and VoyageLA, Solodkin is a Los Angeles-based multidisciplinary artist who channels her creativity primarily through ceramics, fiber clay, and acrylics.
Her artistic journey began in childhood, engrossed in drawing and painting. In describing her artistic process, Stacy emphasizes a collaborative dynamic with her materials and the nebulous realm of creative inspiration. She acknowledges the somewhat mystical aspect, describing it as a harmonious convergence of intuition and experimentation. For Stacy, the key lies in relinquishing control and embracing the flow of ideas, allowing the artwork to evolve organically.
Stepping into her studio symbolizes a release from artistic and personal constraints, fostering an environment where creativity can flourish unrestricted by expectations or limitations.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Stacy Solodkin’s work is a balance of strength and delicacy, expressed through sculptural forms that feel both ancient and alive. Hand-built using raw clay bodies mixed with cotton linter fiber, each piece carries the imprint of time—creases, folds, and voids left behind as the fiber burns away during firing. These physical absences become poetic presences, holding space for memory, transformation, and impermanence. Her work is a meditative study in texture and gesture.
Organic and gestural, the sculptures evoke unearthed artifacts or ceremonial objects, as if pulled from an archeological dig of the psyche. Rooted in process and instinct, her practice rejects perfection in favor of authenticity, revealing a quiet resilience in every crack and curve. Solodkin’s work is not static—it is a vessel of emotional and material history, holding stories written in earth, fire, and the artist’s hand.