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Movement Study in Greyscale #14
Original Collage, sourced from 1940’s LIFE magazines on backing paper created from vintage stamp albums of the same era.
After almost 3 years in Los Angeles, DeSutter finds himself revisiting his Movement Study exploration, which originated during his time in NYC while questioning if the cost of living in a major city affected his ability to create.
Words from the artist on this exploration from 5 years ago when he first found himself exploring in this direction:
“Over the last couple years, I’ve stopped to take a moment to observe natural movements that are created as wind blows through my city. It can be seen through flags, tarps, and other floating bits of fabric all around me. I’ve recently realized that this study has been about my relationship with the city. The wind blows through and does its own thing, seemingly ignoring the structure and pace of NYC. It exists as a sort of free spirit in the very place I dream of living on my own terms. Movement has always played a large role in my work, so for this study, I wanted to strip down the palette to allow movement to be the focus. The foreground movements represent the carefree spirit that wants to move freely among the structure of city living. The composite backgrounds made of blocky forms represent the city, or anything really, that places constraints on life that one seeks to escape. It may not be realistic that these two things coexist, but that’s the beauty of this dream; it wants it all—just as the wind blows down our busy sidewalks.”
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After almost 3 years in Los Angeles, DeSutter finds himself revisiting his Movement Study exploration, which originated during his time in NYC while questioning if the cost of living in a major city affected his ability to create.
Words from the artist on this exploration from 5 years ago when he first found himself exploring in this direction:
“Over the last couple years, I’ve stopped to take a moment to observe natural movements that are created as wind blows through my city. It can be seen through flags, tarps, and other floating bits of fabric all around me. I’ve recently realized that this study has been about my relationship with the city. The wind blows through and does its own thing, seemingly ignoring the structure and pace of NYC. It exists as a sort of free spirit in the very place I dream of living on my own terms. Movement has always played a large role in my work, so for this study, I wanted to strip down the palette to allow movement to be the focus. The foreground movements represent the carefree spirit that wants to move freely among the structure of city living. The composite backgrounds made of blocky forms represent the city, or anything really, that places constraints on life that one seeks to escape. It may not be realistic that these two things coexist, but that’s the beauty of this dream; it wants it all—just as the wind blows down our busy sidewalks.”
Artwork Information
Year
2024
Materials
Original Collage, sourced from 1940’s LIFE magazines on backing paper created from vintage stamp albums of the same era.
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
13 x 11 inches
FRAMED DIMENSIONS
13 x 11 inches
Floated: 17 1/2 x 15 1/2 x 1 1/2 inches
Unframed: 13 x 11 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
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“It’s important to take first steps even if you’re unsure of what you’re doing or how it will go, you’ll learn from them and that’s something you’ll be able to take with you the rest of your life.”
About the Artist
Michael DeSutter
DeSutter's graphic & meditative collages have been featured in Full Blede and AnOther Magazine. His original collages are currently featured at Pharrell's The Goodtime Hotel in Miami. DeSutter practices includes considering the overlooked within old magazines, he uses these records of the past to consider and recontextualize the future.
Choose options
This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
After almost 3 years in Los Angeles, DeSutter finds himself revisiting his Movement Study exploration, which originated during his time in NYC while questioning if the cost of living in a major city affected his ability to create.
Words from the artist on this exploration from 5 years ago when he first found himself exploring in this direction:
“Over the last couple years, I’ve stopped to take a moment to observe natural movements that are created as wind blows through my city. It can be seen through flags, tarps, and other floating bits of fabric all around me. I’ve recently realized that this study has been about my relationship with the city. The wind blows through and does its own thing, seemingly ignoring the structure and pace of NYC. It exists as a sort of free spirit in the very place I dream of living on my own terms. Movement has always played a large role in my work, so for this study, I wanted to strip down the palette to allow movement to be the focus. The foreground movements represent the carefree spirit that wants to move freely among the structure of city living. The composite backgrounds made of blocky forms represent the city, or anything really, that places constraints on life that one seeks to escape. It may not be realistic that these two things coexist, but that’s the beauty of this dream; it wants it all—just as the wind blows down our busy sidewalks.”
BOBBY BERK ON MICHAEL DESUTTER
“From a distance, this piece feels quite simple and straightforward. But when you look up close, it's a complex and really engaging work that has a lot of layers to it.”
Artwork: Boulevard