Solid State 'Off-White' #6
Acrylic and gel on canvas
Across artist Henryk Lobaczewski's work is an element of the unknown. Each piece is immersive, textural, and intense as the artist draws comparisons between life’s captured micro-moments, where (even with the same tools, materials, and environments) there is always a different outcome. Henryk is dedicated to making work that creates new textures via quick decisions, chasing the perfect gestural stroke that speaks of the moment in which it was rendered and that can then last an eternity.
The Solid State series started with the desire to see how much paint the artist could keep on a canvas, and then once dry, would stay on a wall. Henryk wanted the viewer to almost want to catch the paint as if it was falling off the wall in their mind when they viewed the work. He uses about four different products sometimes mixed together which result in either super matte, super gloss, or in between finishes. The intent is always to freeze a moment in time, that has a feeling that it could shift, or change or fall off a wall at any moment when viewed.
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Across artist Henryk Lobaczewski's work is an element of the unknown. Each piece is immersive, textural, and intense as the artist draws comparisons between life’s captured micro-moments, where (even with the same tools, materials, and environments) there is always a different outcome. Henryk is dedicated to making work that creates new textures via quick decisions, chasing the perfect gestural stroke that speaks of the moment in which it was rendered and that can then last an eternity.
The Solid State series started with the desire to see how much paint the artist could keep on a canvas, and then once dry, would stay on a wall. Henryk wanted the viewer to almost want to catch the paint as if it was falling off the wall in their mind when they viewed the work. He uses about four different products sometimes mixed together which result in either super matte, super gloss, or in between finishes. The intent is always to freeze a moment in time, that has a feeling that it could shift, or change or fall off a wall at any moment when viewed.
Artwork Information
Year
2023
Materials
Acrylic and gel on canvas
Authentication
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
78.75 x 69 inches
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About the Artist
Henryk
In this new series of paintings, Australian artist Henryk explores the effect of gesture and movement using concrete and polymer to layer complex strokes on his sculptural paintings. This series complements his photography practice that explores gesture and body as observed.
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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Across artist Henryk Lobaczewski's work is an element of the unknown. Each piece is immersive, textural, and intense as the artist draws comparisons between life’s captured micro-moments, where (even with the same tools, materials, and environments) there is always a different outcome. Henryk is dedicated to making work that creates new textures via quick decisions, chasing the perfect gestural stroke that speaks of the moment in which it was rendered and that can then last an eternity.
The Solid State series started with the desire to see how much paint the artist could keep on a canvas, and then once dry, would stay on a wall. Henryk wanted the viewer to almost want to catch the paint as if it was falling off the wall in their mind when they viewed the work. He uses about four different products sometimes mixed together which result in either super matte, super gloss, or in between finishes. The intent is always to freeze a moment in time, that has a feeling that it could shift, or change or fall off a wall at any moment when viewed.