Tovaangar
Oil, oil stick, soft pastel, pastel pencil on canvas
Satsuki Shibuya’s newest work “Tovaangar” is an appeal to contemplate and consider those who came before us — the indigenous people who thrived here and cared for the land long before we existed. A direct reference to the people whose homelands spanned the Greater Los Angeles Area, “Tovaangar” means “the world” or “homelands” in the native tongue of the Tongva. The works are rendered in the artist’s signature abstract, meditative style and inspire the viewer to remember that we are all connected; the ties that bind us across generations and landscapes cannot be severed or forgotten. In the artist’s own words:
As we continue to reclaim lands as our own,
we somehow fail to also remember the origins of the land,
who cultivated and brought it to life,
and most importantly, who cared for it as an extension of themself.
There are no boundaries,
distinct dividers,
only man-made, fictitious borders, which when adhered to
create chaos rather than harmony.
All commonalities lie within the soil with which we live upon,
and the Tovaangar along with other nations understood this.
Our home, Los Angeles, is made of —
multicultural, multifaceted, multinational, multidimensional beings,
interconnected with a land’s history that cannot be forgotten,
aligning lives lost, living, and born.
We are the past, present and future.
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Satsuki Shibuya’s newest work “Tovaangar” is an appeal to contemplate and consider those who came before us — the indigenous people who thrived here and cared for the land long before we existed. A direct reference to the people whose homelands spanned the Greater Los Angeles Area, “Tovaangar” means “the world” or “homelands” in the native tongue of the Tongva. The works are rendered in the artist’s signature abstract, meditative style and inspire the viewer to remember that we are all connected; the ties that bind us across generations and landscapes cannot be severed or forgotten. In the artist’s own words:
As we continue to reclaim lands as our own,
we somehow fail to also remember the origins of the land,
who cultivated and brought it to life,
and most importantly, who cared for it as an extension of themself.
There are no boundaries,
distinct dividers,
only man-made, fictitious borders, which when adhered to
create chaos rather than harmony.
All commonalities lie within the soil with which we live upon,
and the Tovaangar along with other nations understood this.
Our home, Los Angeles, is made of —
multicultural, multifaceted, multinational, multidimensional beings,
interconnected with a land’s history that cannot be forgotten,
aligning lives lost, living, and born.
We are the past, present and future.
Artwork Information
Year
2023
Materials
Oil, oil stick, soft pastel, pastel pencil on canvas
Authentication
Signed by artist.
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
60 x 60 inches
Custom Orders
We offer a wide variety of custom framing options, please reach out for more information.
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text: 310-388-3425
email: [email protected]
Art Advising Services
Complimentary art advising services available on request. More info here
“I associate sounds with colors, or more specifically, certain sound waves as colors. It is a combination of the sound tone, mixed with a sensory connection to the vibration felt throughout the body which produces an association with a particular color.”
About the Artist
Satsuki Shibuya
Featured in Architectural Digest, Vogue, Kinfolk, Artforum, and Cereal Magazine, Satsuki’s meditative abstract watercolor paintings and limited edition prints play with neutral tones and elegant brush strokes. Memory and meditation form the foundation of her practice.
Choose options
This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Satsuki Shibuya’s newest work “Tovaangar” is an appeal to contemplate and consider those who came before us — the indigenous people who thrived here and cared for the land long before we existed. A direct reference to the people whose homelands spanned the Greater Los Angeles Area, “Tovaangar” means “the world” or “homelands” in the native tongue of the Tongva. The works are rendered in the artist’s signature abstract, meditative style and inspire the viewer to remember that we are all connected; the ties that bind us across generations and landscapes cannot be severed or forgotten. In the artist’s own words:
As we continue to reclaim lands as our own,
we somehow fail to also remember the origins of the land,
who cultivated and brought it to life,
and most importantly, who cared for it as an extension of themself.
There are no boundaries,
distinct dividers,
only man-made, fictitious borders, which when adhered to
create chaos rather than harmony.
All commonalities lie within the soil with which we live upon,
and the Tovaangar along with other nations understood this.
Our home, Los Angeles, is made of —
multicultural, multifaceted, multinational, multidimensional beings,
interconnected with a land’s history that cannot be forgotten,
aligning lives lost, living, and born.
We are the past, present and future.