Hand-built Archival Framing
Each Tappan frame is custom built out of solid wood, using archival materials. Our framers have years of experience framing and preserving artworks for museums and other cultural institutions.
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What Will Be
Archival ink on museum-quality cotton rag paper
Led by movement, Culver’s new collection of 11 works mirrors a contrast of flow and sharpness that has been evolving the artist’s life path. Stopping points of memory reflection and severing anything that blocks new growth, the contrasted two-tone pieces are a demand to pause and absorb. These pieces then lead into an abstract expressionist approach to unplanned flowing marks and shapes. For Culver, this print launch marks an important turning point in trusting her process and allowing the experience of painting to lead itself with an automatic drawing hand. There is a cradling of gentle placement of marks and arbitrary liquid flows of paint. In full, these works are akin to trusting outcomes before a known direction.
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Led by movement, Culver’s new collection of 11 works mirrors a contrast of flow and sharpness that has been evolving the artist’s life path. Stopping points of memory reflection and severing anything that blocks new growth, the contrasted two-tone pieces are a demand to pause and absorb. These pieces then lead into an abstract expressionist approach to unplanned flowing marks and shapes. For Culver, this print launch marks an important turning point in trusting her process and allowing the experience of painting to lead itself with an automatic drawing hand. There is a cradling of gentle placement of marks and arbitrary liquid flows of paint. In full, these works are akin to trusting outcomes before a known direction.
Artwork Information
Year
2022
Materials
Archival ink on museum-quality cotton rag paper
Authentication
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
15 x 12 inches
20 x 16 inches
30 x 24 inches
FRAMED DIMENSIONS
15 x 12 inches
Matted: 22.5 x 19.5 x 2 inches
Full Bleed: 16.5 x 13.5 x 1.5 inches
20 x 16 inches
Matted: 27.5 x 23.5 x 2 inches
Full Bleed: 21.5 x 17.5 x 2 inches
30 x 24 inches
Matted: 38 x 32 x 2 inches
Full Bleed: 31.5 x 25.5 x 2 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
Custom Orders
We offer a wide variety of custom framing options, please reach out for more information.
Shipping times vary per artwork, text, email, or chat with us to expedite shipping.
text: 310-388-3425
email: [email protected]
Art Advising Services
Complimentary art advising services available on request. More info here
“...remain true to myself. To make work that is undeniably me and uniquely my own. I hope to make things that move people, but if I make work just for others without putting myself in it, it won’t carry.”
About the Artist
Marleigh Culver
Artist Marleigh Culver’s gestural floral painting and prints have been featured in Architectural Digest, Domino, Vogue, Sight Unseen, T Magazine, and more. Her site specific external and interior murals can be seen at Google, and across the East Coast.
Choose options
This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Led by movement, Culver’s new collection of 11 works mirrors a contrast of flow and sharpness that has been evolving the artist’s life path. Stopping points of memory reflection and severing anything that blocks new growth, the contrasted two-tone pieces are a demand to pause and absorb. These pieces then lead into an abstract expressionist approach to unplanned flowing marks and shapes. For Culver, this print launch marks an important turning point in trusting her process and allowing the experience of painting to lead itself with an automatic drawing hand. There is a cradling of gentle placement of marks and arbitrary liquid flows of paint. In full, these works are akin to trusting outcomes before a known direction.
JANELLE LLOYD ON MARLEIGH CULVER
“Marleigh Culver is a favorite artist of mine that Tappan features. I loved the name of this piece for my daughter’s eventual bedroom. It’s the question I ask myself pretty much every day when I look at her.”
Artwork: What Will Be