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Win you a jet! The musical. Or, the Sharks and the Jets sweepstakes come at a high cost.
Painting
Acrylic and ink on paper mounted to panel. Diptych.
Umar Rashid’s work unfolds within the expansive mythology of the "Frenglish Empire," a fictitious nation in an alternate timeline where history bends, fractures, and reassembles itself into a layered narrative of power, conflict, and capital. In this world, Rashid interrogates the structures that shape our reality—who seizes control, who is cast aside, and who profits from the cycles of conquest and complicity.
Pulling from pop culture, classical painting, and historical iconography, Rashid constructs dense, cinematic compositions where past and present collapse into one another. His works are rich with symbols, maps, and coded language, embedding humor and critique within an aesthetic that is both deeply researched and radically imagined. By reconstructing history on his own terms, Rashid challenges viewers to reconsider the stories we inherit and the forces that continue to shape the world around us.
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“What's interesting is that history is always written by the victor. There's all these different stories, and as a black person or African-American, as you will or whatever, I haven't figured out how I really fit into this history.”
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About the Artist
Umar Rashid
Recently exhibited in the Hammer Museum (2020, 2022) and The Armory Show (New York), Umar Rashid (also known as Frohawk Two Feathers) uses painting and illustration to investigate and reframe and reclaim colonial narratives. Public collections include: Brooklyn Museum, Santa Barbara Museum of Art, Wadsworth Atheneum Museum of Art, Hudson River Museum, and Nevada Museum of Art.
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