Skylar
Porcelain
Stacy Solodkin's latest body of work builds on the ancient tradition of combining fiber with clay, reinterpreted through porcelain reinforced with cotton linter. Solodkin leaves each sculpture unglazed, preserving the folds, fissures, and subtle variations created through making rather than concealing them.
Each sculpture carries its own anthropomorphic identity and gesture. When brought together, they suggest a lineage of feminine presences united in the arc of becoming, as if in preparation for flight, inhabiting the irreversible threshold between what has been and what comes next. Solodkin’s work draws from her deep immersion into the natural world. Each form becomes a meditation on impermanence, resilience, and the quiet beauty held within every stage of becoming.
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Stacy Solodkin's latest body of work builds on the ancient tradition of combining fiber with clay, reinterpreted through porcelain reinforced with cotton linter. Solodkin leaves each sculpture unglazed, preserving the folds, fissures, and subtle variations created through making rather than concealing them.
Each sculpture carries its own anthropomorphic identity and gesture. When brought together, they suggest a lineage of feminine presences united in the arc of becoming, as if in preparation for flight, inhabiting the irreversible threshold between what has been and what comes next. Solodkin’s work draws from her deep immersion into the natural world. Each form becomes a meditation on impermanence, resilience, and the quiet beauty held within every stage of becoming.
Artwork Information
Year
2026
Materials
Porcelain
Dimensions
ARTWORK DIMENSIONS
11 x 27 x 12 inches
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About the Artist
Stacy Solodkin
Stacy Solodkin (b. 1970, Louisville, KY) is a Los Angeles-based artist whose practice spans painting and sculpture. For nearly four decades, she worked in acrylic and encaustic, developing an abstract visual language defined by accumulated gesture and material transformation.
Currently working primarily with porcelain reinforced by cotton linter, Solodkin creates forms that would be structurally impossible without the fiber's temporary architecture. Rooted in this kind of resourcefulness and improvisation, her practice positions the studio as a site of continual experimentation where setbacks become catalysts for invention -- where resilience is discovered in moments of decision.
Solodkin has studied ceramic traditions throughout the United States and Asia and recently expanded her material research at Pilchuck Glass School, founded by Dale Chihuly. Her work has been exhibited throughout the US and is held in private collections internationally.
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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Stacy Solodkin's latest body of work builds on the ancient tradition of combining fiber with clay, reinterpreted through porcelain reinforced with cotton linter. Solodkin leaves each sculpture unglazed, preserving the folds, fissures, and subtle variations created through making rather than concealing them.
Each sculpture carries its own anthropomorphic identity and gesture. When brought together, they suggest a lineage of feminine presences united in the arc of becoming, as if in preparation for flight, inhabiting the irreversible threshold between what has been and what comes next. Solodkin’s work draws from her deep immersion into the natural world. Each form becomes a meditation on impermanence, resilience, and the quiet beauty held within every stage of becoming.
